Each manuscript was like the other: the same lovely treatment of an unlovely subject. “Carolyn loves ‘Fiddler on the Roof. He touched a long-standing sore, and Ann Veronica found herself vainly trying to explain—the inexplicable. A hush descended across the audience as instruments tuned, creating small ladders of fifths that collapsed abruptly, snatches of solos that disappeared and reappeared like gags in a house of mirrors. But I will never—never return. ’ ‘Oh yes, or walked through the walls, I dare say. They want some fun, and there isn't any.
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