Ramage looked at her for a long and discriminating interval without speaking. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. Baptist Kettleby (for so was the Master named) was a "goodly portly man, and a corpulent," whose fair round paunch bespoke the affection he entertained for good liquor and good living. She was a lovely girl, attired in deep mourning, and having an expression of profound sorrow on her charming features. She wedged the towel between her legs. He halted,—looked fearfully around,—stopped again, and exclaimed aloud, "I don't like the job; and yet it must be done, or Mr. We don’t consider each other; we needn’t. Wood, now more buxom and more gorgeously arrayed than ever,—as well as a young and beautiful female, in whom he was at no loss to recognise the carpenter's daughter. Ann Veronica ignored her friend’s confusion. Old saltwater was right. She did not understand the note of hostility to men that ran through it all, the bitter vindictiveness that lit Miss Miniver’s cheeks and eyes, the sense of some at last insupportable wrong slowly accumulated. “It isn’t fair.
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